Digital Producers Programme 2025
Tamasha has selected five ambitious theatre producers ready to step into the future of digital storytelling.
From August to November 2025, they’ll take part in an intensive, hands-on programme led by Digital Mentor Tuyết Vân Huỳnh. Together, they’ll explore audio production, XR technologies, and the art of digital producing — building skills, creating new work, and shaping the future of theatre.
Training starts soon. The next chapter of digital theatre is about to begin. Meet the digital trainees!

Chi Sandford
Chi (she/her) is a Filipino British, London-based engagement producer and artist dedicated to community-led projects that foreground lived experienced voices. Her practice is rooted in playfulness, using games as tools to surface personal and collective stories, which then transforms into performances, installations, and film. Working from a bottom-up methodology, Chi co-creates spaces where participants feel ownership – where creative expression becomes a way to strengthen belonging and care.
Her passion for creative health has led her to produce art festivals that celebrate underrepresented voices, co-create theatre productions exploring migration and identity, curate exhibitions with grassroots charities, and facilitate workshops for community organisers and activists. She’s committed to supporting artists and communities through accessible and collaborative processes that balance creative ambition with practical delivery.
Currently, Chi is producing short films with Maharlika: Filipino Artists UK, working alongside diaspora artists to tell their collaborative stories. She is also studying Counselling to deepen her capacity to hold space and nurture communities. Chi’s work continues to be driven by joy, tenderness, and the belief that creativity is a vital tool for collective wellbeing.
Looking ahead, Chi is excited to develop projects that deepen dialogue around belonging and connection through the exciting digital space.

Dan Sareen
Dan (he/him) is a producer and playwright, as well as co-founder and artistic director of Want the Moon Theatre. Dan has produced projects and productions at both fringe and professional venues all around the UK. Most recently, he has worked on research and development projects for pieces of new writing with Tara Theatre and Arcola Theatre. As a writer, Dan’s professional debut, Passing, was performed at Park Theatre in 2023, and was subsequently nominated for two Asian Media Awards. More recently, Dan co-wrote Moon River, which premiered at Chichester Festival Theatre’s The Nest in summer 2025.

Devi Chatterjee
Devi (she/her) is a London-based arts producer and poet, working at the intersection of theatre and poetry in live performance and digital media spaces. While pursuing a Masters in Global Literatures and Cultures from University of Exeter, she as selected as the Wildscreen Events Assistant Intern for Exeter Phoenix’s inaugural Green Phoenix Festival in 2024. She went on to work at The Poetry Archive as the Project and Volunteer Manager for their Keystone Collection, Poetry of South Asia, launched at the Khushwant Singh Literary Festival, 2025 and is currently working as their Public Engagement Producer, programming workshops and events around their digital audio archive. She has completed the National Theatre’s How To Be A Producer course and has been recently selected for Almeida’s Young Producers Programme, and for Tamasha’s Digital Producer Traineeship.
Devi discovered her love for theatre while researching on queer performativity and intermedia studies, and hopes to produce at the intersection of student lives, diasporic identities, and queer experiences. She is passionate about telling alternative stories in and through alternative spaces and formats. She advocates for underrepresented fringe voices, fostering community and collaboration through music, movement and words.

Ja Yoon Jade Kim
Ja Yoon Jade Kim (she/her) is a South Korean producer based in London. She began her career in the Art Department on international films, where she learned the importance of collaboration, visual storytelling, and the craft of building cinematic worlds. That foundation continues to shape how she works as a producer today, balancing attention to detail with a commitment to supporting a director’s vision.
Her step into producing came from a desire to bridge creativity and execution—helping bold ideas take shape while developing stories that resonate across cultures. Since moving to the UK, she has become especially passionate about creating more access for East and Southeast Asian filmmakers and championing narratives that reflect their diverse experiences.
She is also drawn to the possibilities of XR and immersive media, seeing them as ways to reimagine cinema and theatre as communal spaces. Guided by this vision, Ja Yoon is excited to keep building work that connects people through authentic and resonant stories.

Nancy Nhat Vu
Nancy Nhat Vu (she/her) is a producer and multi-disciplinary art & cultural worker based in London.
She studied social anthropology and ethnographic filmmaking at University of Cambridge. After graduating, she got her start in project management at an ad agency and then later transitioned to strategy within a brand consultancy, building brands such as LEGO, Apple TV+ and Zalando.
Nancy has also worked as researcher, writer, marketer and on production for Southbank Centre festivals (Women Of the World, Alchemy, Deptford Project and Mangoes Are Forever), Star Nhà Ease: Vietnamese Film Festival, Shubbak Festival and Newham Voices Festival. She also led the launch of the book ‘Colourful View From The Top’ championing Black and brown talent with Pulitzer-prize winning publisher Hachette and National Literacy Trust.
Nancy is currently working as Archive and Community Researcher for Newham Heritage Centre, producing archival oral histories and a digital film with multi-generational locals. She is interested in stories from global majority, queer, migrant, radical communities in pursuit of community building and global liberation.